(text in English below)
O ballet
Frankenstein tem coreografia de Liam
Scarlett e música de Lowell
Liebermamm e foi apresentado esta temporada pelo Royal Ballet de Londres.
Victor
Frankenstein apaixona-se por Elizabeth, uma filha adoptiva dos pais. Prometem
casar-se depois de ele concluir o curso de Medicina. A mãe morre de parto no
nascimento de William, o irmão mais novo.
No curso, um
professor diz aos alunos que a ciência moderna permite reanimar material morta.
Em segredo, Victor cria um ser vivo à noite mas fica horrorizado por ele não
comunicar. A criatura foge e leva o seu casaco e livro.
Anos mais tarde a
criatura sai da floresta e procura o amor de Victor, mas este rejeita-a e rasga
o livro. A criatura jura vingar-se dele e da família. Apanhando o irmão mais
novo William num jogo, mata-o. As culpas são atribuídas à ama, Justine, que é
enforcada.
Victor sente-se
culpado e amedrontado. No baile do seu casamento com Elizabeth o pai aparece
morto, gera-se o pânico, e a criatura mata também o amigo Henry e a Elizabeth.
Victor suicida-se e a criatura lança-se às chamas da casa dos Frankenstein.
Os cenários (de John Macfarlane) são variados e
magníficos e o bailado é de belo efeito. Dirigiu a Orquestra da Royal Opera o maestro Barry Wordsworth.
Os bailarinos
principais, todos de grande qualidade, foram Tristan Dyer (Victor Frankenstein), Sarah
Lamb (Elizabeth),
Gray Avis (Alphonse
Frankenstein, pai de Victor),
Josh
Liddington (William Frankenstein, irmão mais novo de Victor),
Luca Acri (Henry, amigo de Victor)
e Ryoichi Hirano (a criatura).
Participaram
também Romany Pajdak (Justine, ama
de William), Olivia Cowley (Caroline,
mãe de Victor), Joe Parkinson (Victor
jovem) e Malina Kolb (Elizabeth
Jovem)
Foi um
espectáculo dramático muito agradável de se ver.
FRANKENSTEIN,
Royal Ballet, London, March 2019
Frankenstein ballet has choreography by Liam Scarlett and music by Lowell Liebermamm and was presented
this season by the Royal Ballet of
London.
Victor
Frankenstein falls in love with Elizabeth, an adopted daughter of her parents.
They promise to get married after he finishes his medical course. The mother
dies in labor at the birth of William, his younger brother.
In the medical
course, a teacher tells students that modern science allows to revive dead
material. In secret, Victor creates a living being at night but is horrified
that he does not communicate. The creature runs away and takes his coat and
book.
Years later
the creature leaves the forest and looks for the love of Victor, but he rejects
and rips the book. The creature vows revenge on himself and his family. Picking
up his younger brother William in a game, he kills him. The guilty is
attributed to his nanny, Justine, who is hanged.
Victor
feels guilty and frightened. In the ball of his marriage with Elizabeth his
father appears dead, the panic is generated, and the creature also kills his
friend Henry and Elizabeth. Victor commits suicide and the creature launches
into the flames of the Frankenstein house.
The sets
(by John Macfarlane) are varied and
magnificent and the ballet is of beautiful effect. Maestro Barry Wordsworth directed the Royal
Opera Orchestra.
The soloist
dancers, all of great quality, were Tristan
Dyer (Victor Frankenstein), Sarah
Lamb (Elizabeth), Gray Avis
(Victor's father Alphonse Frankenstein), Josh
Liddington (William Frankenstein, Victor's younger brother) Luca Acri (Henry,
friend of Victor) and Ryoichi Hirano (the creature).
There was
also the participation of Romany Pajdak
(Justine, William’s nanny), Olivia
Cowley (Caroline, Victor’s mother), Joe
Parkinson (young Victor) and Malina
Kolb (young Elizabeth)
It was a
dramatic very pleasant performance to see.
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